Biographies


LARI PITTMAN


1952 Born, Los Angeles, California.
Lives in Los Angeles.


EDUCATION:

1976 California Institute of the Arts, Valencia, CA, M.F.A.
1974 California Institute of the Arts, Valencia, CA, B.F.A.
1970/73 University of California, Los Angeles, CA


AWARDS:

1986 Art Matters, Inc., Grant.
1987 National Endowment for the Arts Fellowship Grant.
1989 J. Paul Getty Trust Fund for the Visual Arts Fellowship Grant.
National Endowment for the Arts Fellowship Grant.
1990 California Arts Council Arts Fellowship Grant.
1993 National Endowment for the Arts Fellowship Grant.


SOLO EXHIBITIONS:

1994 Jay Gorney Modern Art, New York, NY
1993 Jablonka Galerie, Koln, Germany. Presentation of: Untitled #1 from the series: "A Decorated Chronology of Insistence and Resignation."
Mandeville Gallery, University of California, San Diego, CA
Rosamund Felsen Gallery, Los Angeles, CA
1992 Jay Gorney Modern Art, New York, NY
1991 Rosamund Felsen Gallery, Los Angeles, CA
1990 Rosamund Felsen Gallery, Los Angeles, CA
1989 Rosamund Felsen Gallery, Los Angeles, CA
1988 Rosamund Felsen Gallery, Los Angeles, CA
1987 Rosamund Felsen Gallery, Los Angeles, CA
1986 Patty Aande Gallery, San Diego, CA
1985 Rosamund Felesn Gallery, Los Angeles, CA
1984 Rosamund Felsen Gallery, Los Angeles, CA
1983 Rosamund Felsen Gallery, Los Angeles, CA
1982 Sunday Painting, Los Angeles Contemporary Exhibitions, Los Angeles and
Newport Harbor Art Museum, Newport Beach, CA.


GROUP EXHIBITIONS:

1994 Paintings and Works on Paper, Texas Gallery, Houston, TX
don't look now, Curated by Joshua Decter, Thread Waxing Space, New York, NY
Animal Farm, James Corcoran Gallery, Santa Monica, CA
Love in the Ruins, Curated by Noriko Gamblin, Long Beach Museum of Art, Long Beach, CA
Arabesque, PPOW, New York, NY
1993 Appraising The Prenatural, Patricia Shea Gallery, Los Angeles, CA
Daylight Savings, John Berggruen Gallery, San Francisco, CA
Paper Trails: The Eidetic Image Contemporary American Work on Paper, Krannert Art Museum & Kinkead Pavilion, University of Illinois, Champaign, IL.
1993 Biennial Exhibition, Whitney Museum of American Art, New York (catalogue).
Space of Time: Contemporary Art from the Americas, Americas Society, New York, Center for the Fine Art, Miami, FL (catalogue).
Legend in My Living Room, Rhona Hoffman Gallery, Chicago, IL
1992 Helter Skelter, LA Art in the 1990's, The Museum of Contemporary Art, Los Angeles, CA Curated by Paul Schimmel (catalogue).
Paul McCarthy, Lari Pittman, Jeffery Vallence, Studio Guenzani, Milan Italy.
Masquerade (Body Double), Postmasters, New York
In Pursuit of Devoted Repulsion, Roy Boyd Gallery, Los Angeles.
Fear of Painting, curated by Dan Cameron, Arthur Roger Gallery, New York, NY, (catalogue).
1991 Something Pithier and More Psychological, simon Watson, New York.
Someone or Somebody, Meyers/Bloom Gallery, Santa Monica, CA
Mito Y Magia En America: Los Ochenta, Museo do Arte Contemporaneo, Monterrey, Mexico (catalogue).
After The Apocalypse; A Different Humanism, Southeastern Center for Contemporary Art, Winston-Salem, NC.
Quick Coagulation Forms The August Corpse, Rosamund Felsen Gallery, Los Angeles.
42nd Biennial Exhibition of Contemporary American Painting, The Corcoran Gallery of Art, Washington, D.C., (catalogue).
At the End of the Day, Randy Alexander Gallery, New York, curated by Michael Jenkins.
Selections from the Permanent Collection: 1975 - 1991, The Museum of Contemporary Art, Los Angeles, CA, curated by Paul Schimmel.
1990 Constructing a History: A Focus on MOCA's Permanent Collection, The Museum of Contemporary Art, Los Angeles, CA.
Past & Present - Selected Works by Gallery Artists, Rosamund Felsen Gallery, Los Angeles, CA.
Representation-Non-Representation, Security Pacific Galleries, Costa Mesa, CA, curated by Stephen Berens (catalogue).
L.A. My Third Lady, Galerie Tanja Grunert, Koln, Germany.
1989 Prospect 89, Frankfurter Kunstverein im Steinernen Haus
and Kunsthalle Schirn am Romerberg, Frankfurt, West Germany
Victoria, Pence Gallery, Santa Monica, CA
Cultural Fetish, Pasadena City College Art Gallery, Pasadena, CA
1988 Striking Distance, Museum of Contemporary Art, Los Angeles (brochure);
Triton Museum of Art, Santa Clara, CA; Fresno Arts Center and
Museum, Fresno, CA.
New Works on Paper, Rosamund Felsen Gallery, Los Angeles, CA
Art of the 1980's: Artists from the Eli Broad Family Foundation
Collection, Kresge Art Museum, Michigan State University, East
Lansing, MI; Kalamazoo Institute of Arts, Kalamazoo, MI (catalogue)
Erotophobia, Simon Watson, NY.
1987 1987 Biennial Exhibition, Whitney Museum of American Art, New York, NY (catalogue)
Cal Arts: Skeptical Belief(s), The Renaissance Society, University of
Chicago, IL; Newport Harbor Art Museum, Newport Beach, CA, 1988, (catalogue).
Highlights of California Art Since 1945 - A Collecting Partnership, Newport Harbor Art Museum, Newport Beach, CA
1987 Phoenix Biennial, Phoenix Art Museum, Phoenix, AZ (catalogue)
Group Exhibition, Struve Gallery, Chicago, IL
Lari Pittman: Paintings and Boyd Wright: Sculpture, College of Creative
Studies, University of California, Santa Barbara, CA
L.A. Hot and Cool: The Eighties, MIT List Visual Arts Center, Cambridge,
MA (catalogue)
1986 Meanwhile, Back at the Ranch..., Kuhlenschmidt-Simon Gallery, Los Angeles, CA
Issues, Newspace Gallery, Los Angeles, CA
1983 Dealer's Choice: San Francisco/Los Angeles, Eaton/Shoen Gallery,
San Francisco, CA (catalogue).
Los Angeles/New York Exchange, Artists' Space, New York, NY (catalogue)
Young American Artists II: Paintings and Painted Wall Reliefs, Mandeville
Art Gallery, University of California, San Diego, CA
Ceci n'est pas le surrealisme, California: Idioms of Surrealism, Fisher
Gallery, University of Southern California, Los Angeles (catalogue)
1980 An Exhibition of Drawings: Sandra Jackman, Mary Jones, Tom Knechtel,
Lari Pittman, Dara Robinson, Sheila Ruth, Santa Ana College Art Gallery,
Santa Ana, CA
1977 100 Current Directions in Southern California Art, Los Angeles Institute
of Contemporary Art, Los Angeles, CA
1976Recent Works: Dowell, Lumbert, Pittman, Sherman, Long Beach City College
Art Gallery, Long Beach, CA


OTHER ACTIVITIES:

1986-91
Member, Board of Directors, Los Angeles Contemporary Exhibitions.

BIBLIOGRAPHY:

Adams, Brooks, Review: Art in America, September, 1992; p 128.
Albright, Thomas, "L.A. Artists in an Exchange Show Here," San Francisco
Chronicle, May 30, 1983, p. 37.
Baitz, Jon Robin, "Art: The Mexican Connection," Reader, May 18, 1984,
Section I, p. 6.
Brenson, Michael, "Art: Whitney Biennial's New Look," New York Times,
April 10, 1987.
Britton, Donald, "Cover", Art Issues, May, 1990, p 36 & cover.
Carlson, Lance, "Darkness and Light `Helter Skelter': L.A. Art in the 1990's, March 19, 1992.
Carlson, Lance, Review: New Art Examiner, April 1990.
Cervantes, Miguel & Merewether, Charles, Mito Y Magia En America: Los Ochenta, exhibition catalogue, Museo de Arte Contemporaneo, Monterrey, Mexico, 1991.
Clothier, Peter, Review: ARTnews, January, 1992, p 136.
Clothier, Peter, Review: Artnews, September 1988, pp. 172-173.
Cottingham, Laura, "the pleasure principled", frieze, May 1993, pp 10-15.
Cotter, Holland, "Eight Artists Interviewed," Art in America, May 1987,
pp. 162-179, 197, 199.
Curtis, Cathy, Review: Los Angeles Times, August 18, 1989, Part VI, p 16.
Curtis, Cathy, Review: Los Angeles Times, January 13, 1989, part IV, p 20.
Curtis, Cathy, "Up From the South," Artweek, May 28, 1983.
Duncan, Michael, "L.A.: The Dark Side", Art In America, March 1993, pp 40-44.
Drohojowska-Philp, Hunter, "The Pleasure Posture," Art Issues, Nov/Dec 1993,
pp 20, 22-23.
Drohojowska, Hunter, "Lari Pittman," Art News, February 1986, p. 105.
Drohojowska, Hunter, "Lari Pittman at the Rosamund Felsen Gallery," Los
Angeles Herald Examiner, October 26, 1984, Weekend section.
Fehlau, Fred, "Lari Pittman - A Close Reading," Visions, Winter
1988, pp. 18-19.
Flam, Jack, "L.A.'s Growing Art Scene," The Wall Street Journal, Arts &
Leisure, March 9, 1988, p. 21.
Friis-Hansen, Dana, "The L.A. Art Scene...",Art New England, September 1990, pp 7-9.
Gardner, Colin, "Cal Arts: Skeptical Belief(s)," review, Artforum, April
1988, p. 154.
Gardner, Colin, Review: Artforum, April 1986, p. 116.
Gardner, Colin, "Lari Pittman," Flash Art, January 1985, pp. 46-47.
Gardner, Colin, "Art in Los Angeles," Reader, October 26, 1984, p. 13.
Geer, Suvan, Review: Los Angeles Times, Feb 16, 1990, p F26.
Gerstler, Amy, Review: Artforum, March 1989, pp. 143-144.
Gipe, Lawrence, "Against Irony," L.A. Weekly, February 13-19, 1987.
Gipe, Lawrence, "Pick of the Week," L.A. Weekly, December 13-19, 1985.
Howe, Katherine, "Los Angeles-New York Exchange," Images & Issues, Nov/Dec
1983, pp. 56-57.
Kandel, Susan, Review: Arts, April 1992, p. 98-99.
Kandel, Susan, Review: Arts, April 1989, p. 109.
Kandel, Susan, "Pick of the Week," L.A. Weekly, January 27-February 2, 1989, p 147.
Kelley, Mike, "Foul Perfection: Thoughts on Caricature," Artforum, January
1989, pp. 92-99.
Kimmilman, Michael, "The Exquisite Corpse Rises From the Dead," The New York Times, Nov. 7, 1993, p H 41.
Knight, Christopher, " A Suggestion of Cultural Edginess," Los Angeles Times, March 10, 1994, pp C1, C11.
Knight, Christopher, "Crushed by Good Intentions", Los Angeles Times, March 10, 1993, pp F 8-9.
Knight, Christopher, "An Art of Darkness at MOCA", Los Angeles Times, January 28, 1992, pp F1, 4-5.
Knight, Christopher, "Pittman Paints In His Own Language," Los Angeles Herald
Examiner, January 27, 1989, Weekend, p 7.
Knight, Christopher, "Majestic Mementos," Los Angeles Herald Examiner,
February 19, 1988, Weekend, p. 8.
Knight, Christopher, "Whitney Show Reflects Calm After Storm," Los Angeles
Herald Examiner, April 19, 1987.
Knight, Christopher, "L.A. Art Star Has A Stroke of Ingenious Reinvention,"
Los Angeles Herald Examiner, February 22, 1987, pp E1, E6.
Knight, Christopher, "Pittman's Newest Work - Radical," Los Angeles Herald
Examiner, December 8, 1985, p. E6.
Knechtel, Tom, "A Wistful Angst," Artweek, January 22, 1983.
Larson, Susan C., Review: Artforum, May 1983.
Leigh, Christian, "L.A. Hot and Cool - the Eighties," review, Artforum, April 1988,
pp. 150-151.
Lloyd, Robert, "Weekend in L.A.," Los Angeles Herald Examiner, October 26, 1984,
Style, p 5.
Mallinson, Constance, "Lari Pittman at Rosamund Felsen," Art in America,
February 1985, pp. 144, 147.
McDonald, Robert, "Pittman Proves the Ugly Can Offer Fascination," Los Angeles
Times, San Diego edition, October 21, 1986, Calendar.
Meyers, Terry R., Review, The New Art Examiner, March, 1994, p 42.
Merill, R.J., Interview, Artweek, March 19, 1992, p 10.
Muchnic, Suzanne, Interview, ARTnews, Nov 1993, p 125.
Muchnic, Suzanne, "Art in the City of Angles and Demons", Los Angeles Times, January 26, 1992, pp 4-5, 76, 78.
Muchnic, Suzanne, "Cohesive Show Looks at Life from `Distance'," Los Angeles
Times, April 27, 1988, calendar.
Muchnic, Suzanne, Review: Los Angeles Times, February 19, 1988, Calendar. p 17.
Muchnic, Suzanne, Review: Los Angeles Times, November 29, 1985, Calendar.
Pagel, David, "Lari Pittman", Interview, Bomb, Winter 1991, pp 48-53.
Pagel, David, Review: Los Angeles Times, November 7, 1991, p F-7.
Parks, K.D., "Lari Pittman", Exposure, October 1990, pp 32-33.
Pincus, Robert, L., "Pittman as Bright as Ever," The San Diego Union-Tribune, Nov 28, 1993, pp E 1,5.
Pincus, Robert L., "Cal Arts Alumni Show, Skeptical Beliefs In A Variety of Ways,"
The San Diego Union, February 28, 1988.
Pincus, Robert L., "Paintings of Lari Pittman are Multi-Faceted, Engaging,"
The San Diego Union, October 2, 1986.
Pincus, Robert L., Review: Los Angeles Times, October 5, 1984, Part IV, p 12.
Rian, Jef, "Everyone Loves a Fire," Flash Art, May/June, 1993, pp 78-79.
Rose, Roger C., "New Works at Mandeville by 5 `Emerging' Painters,"
Los Angeles Times, San Diego edition, October 8, 1983, Part V, pp 1, 6.
Ruggeri, Laura, Review, Flash Art, (Italian Edition) june/July 1992, p 143.
Rugoff, Ralph, "MOCA's Helter Skelter and the Art of Our Times-Apocalypse Noir", L.A. Weekly, January 31, February 6, 1992, pp 18-20, 22-25.
Schjeldahl, Peter, "Art + Politic Missing: The Pleasure Principle", The Village Voice, March 18, 1993, p 34, 38.
Selwyn, Marc, Review: Flash Art, March 1989, p. 117.
Selwyn, Marc, Review, Flash Art, May/June 1990, p 158.
Scarborough, James, "Carving Our A Niche", Artweek, May 17, 1990, pp 10-11.
Smith, Roberta, "At the Whitney, A Biennial With a Social Conscience", The New York times, March 5, 1993
Smith, Roberta, Review: New York Times, March 27, 1992, p C9.
Snow, Shauna, "Faces", Los Angeles Times, March 4, 1990, Calendar.
Sultan, Terrie, 42nd Biennial Exhibition of Contemporary American Painting, catalogue essay. The Corcoran Gallery of Art, Washington, D.C., September 1991.
Weissman, Benjamin, Review: Art Issues, May 1989, p. 25.
Weissman, Benjamin, Review, Artforum, December 1991, pp 109-110.
Wilson, William, Review: Los Angeles Times, February 20, 1987, Part VI, p 16.
Wilson, William, Review: Los Angeles Times, January 14, 1983, Calendar.
Wolf, Theodore F., "Fun, Flashy and Fashionable," The Christian Science Monitor,
April 16, 1987, pp. 22-23.
Zellen, Jody, Review, Arts, January 1992, p 73.

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