Chris Burden
Born in 1946, Boston, MA
Lives and works in Topanga, CA
Education:
1971 MFA, University of California, Irvine
1969 BFA, Pomona College, Claremont, CA
Solo Exhibitions:
2001 The Arts Club of Chicago.
2000 ?Chris Burden,? Gagosian Gallery, London.
?A Tale of Two Cities,? Orange County Museum of Art, Newport Beach, CA.
1998 ?Chris Burden,? Magasin 3 Stockholm Konsthall.
1997 ?Chris Burden and the Trash,? The Reconstructive Gallery, Santa Ana, CA.
1996 ?Chris Burden: Beyond the Limits,? MAK-Austrian Museum of Applied Arts, Vienna.
?Chris Burden: Out of the Museum,? Galerie Krinzinger, Vienna.
?Chris Burden: Three Ghost Ships,? Gagosian Gallery, Beverly Hills.
?Chris Burden: Selected Works,? London Projects.
Traveled to: Tanya Bonakdar Gallery, New York.
1995 ?The Spirit of the Grape,? Alain et Solange Collery, Ay, France.
?Five Moonettes and Mini Video Circus,? FRAC Languedoc-Roussillon,
Montpellier, France.
The Centre d?Art Santa Monica, Barcelona.
1994 ?L.A.P.D. Uniforms: America's Darker Moments, Small Guns,? Gagosian Gallery
(SoHo), New York.
Le Collège/Frac Champagne- Ardenne, Reims, France.
1993 65 Thompson Street, New York.
Miller Nordenhake, Cologne, Germany.
1992 Lannan Foundation, Los Angeles.
1991 Kent Fine Arts, New York.
Josh Baer Gallery, New York.
Whitechapel Art Gallery, London.
The Brooklyn Museum, Brooklyn, NY.
1990 Daniel Buchholz Gallery, Cologne, Germany.
1989 Carnegie-Mellon University Art Gallery, Pittsburgh, PA.
Solo Exhibitions (Cont.)
1989 Institute of Contemporary Art, Boston, MA.
Kent Fine Arts, New York.
Josh Baer Gallery, New York.
1988 Newport Harbor Art Museum, Newport Beach, CA.
1987 ?All the Submarines of the United States of America,? Hoffman/Borman Gallery,
Santa Monica, CA.
?A Monument to Megalopolises Past and Future,? (collaborative with Nancy
Rubins), Los Angeles Contemporary Exhibitions.
?Model of Sex Tower and Drawings for Realized and Unrealized Projects,?
Rosamund Felsen Gallery, Los Angeles.
Christine Burgin Gallery, New York.
1986 ?Sprocket's Moon,? (collaborative work with Nancy Rubins), New Langton Arts,
San Francisco, CA.
Rosamund Felsen Gallery, Los Angeles.
1985 ?Chris Burden: The Artist and His Models,? Lowe Art Museum, Miami, FL.
Lawrence Oliver Gallery, Philadelphia, PA.
?Tower of Power,? Wadsworth Atheneum, Hartford, CT.
1984 ?Cost Effective Micro-Weaponry That Works,? Rosamund Felsen Gallery, Los Angeles.
1983 ?Cost Effective Micro-Weaponry That Works,? Ronald Feldman Fine Arts, New York.
?The Flying Kayak and Devil Drawings,? Rosamund Felsen Gallery, Los Angeles.
1980 ?The Big Wheel, Devil Drawings,? Ronald Feldman Fine Arts, New York.
?C.B.T.V. and B-Car,? Film and Video Dept., Whitney Museum of American Art, New York.
1979 ?The Big Wheel, Devil Drawings and Sculptures,? Rosamund Felsen Gallery, Los Angeles.
1977 ?B-Car,? Ronald Feldman Fine Arts, New York.
?Full Financial Disclosure,? Jan Baum/Iris Silverman Gallery, Los Angeles.
?C.B.T.V.,? Ronald Feldman Fine Arts, New York.
1976 ?Relics,? Ronald Feldman Fine Arts, New York.
Broxton Gallery, Los Angeles.
1975 Ronald Feldman Fine Arts, New York.
Riko Mizuno Gallery, Los Angeles, CA.
Galleria Allesandra Castelli, Milan.
Galleria Schema, Florence.
Galerie Stadler, Paris.
De Appel, Amsterdam, Holland.
1974 Riko Mizuno Gallery, Los Angeles.
Contemporary Arts Center, Cincinnati, OH.
Ronald Feldman Fine Arts, New York.
Group Exhibitions:
2001 ?un art populaire,? Fondation Dartier por l'art contemporain, Paris.
2000 ?American Bricolage,? Sperone Westwater, New York.
1999 ?Play Things,? Newhouse Center for Contemporary Art, Snug Harbor Cultural
Center, New York.
?1 Monde Reel,? Fondation Cartier pour l'Art Contemporain, Paris.
1998 ?Out of Actions,? Museum of Contemporary Art, Los Angeles.
?UCLA Faculty,? Gallery Green, Chicago.
?10 Houses X 10 Artists,? Open Office, New York, through 1999.
1997 ?1997 Biennial Exhibition,? The Whitney Museum of American Art, New York.
?Changing Spaces: Series #1,? The Detroit Institute of Arts, Detroit, MI.
?Sunshine and Noir,? Louisiana, Humlebaek, Denmark.
?At the Threshold of the Visible: Miniscule and Small-Scale Art 1964-1996,?
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY.
Traveled to: The Maryland Institute College of Art, Decker and
Meyerhoff Galleries, Baltimore, MD; Art Gallery of Ontario, Toronto,
Canada; Art Gallery of Windsor, Windsor, Canada; Virginia Beach
Center for the Arts, Virginia Beach, VA; Center on Contemporary Art,
Seattle, WA; Edmonton Art Gallery, Edmonton, Canada; Laguna Art
Museum, Laguna Beach, CA.
1996 ?The Human Body in Contemporary American Sculpture,? Gagosian Gallery, New York.
?Vehicle: The Group Show,? Paolo Balducci Gallery, New York.
1995 ?Virtual Reality,? Australian National Gallery, Canberra, opened Dec10, 1994.
?Chris Burden,? Les Passagers de l'art, Montpellier, France.
?Sculpture,? Gagosian Gallery, New York (SoHo).
?Playtime: Artists and Toys,? The Whitney Museum of American Art at Champion,
Stamford, CT.
1994 ?Toys/Art/Us,? Castle Gallery, New Rochelle, NY.
1993 ?Co - Conspirators,? James Corcoran Gallery, Santa Monica, CA.
?The Readymade Remade: R.Mutt's Legacy,? Ruth Bloom Gallery, Santa Monica, CA.
?Legeme,? Galleri F 15, Moss, Norway.
1992 ?Lax,? Galerie Krinzinger, Vienna.
1991 ?Places With a Past: Site Specific Art In Charleston,? Spoleto Festival, U.S.A.,
Charleston, SC.
?Dislocations,? Museum of Modern Art, New York.
?El Sueno Imperativo,? Circulo de Bellas Artes, Madrid.
?Mechanika,? Contemporary Art Center, Cincinnati, OH.
?Helter Skelter,? Museum of Contemporary Art, Los Angeles.
1990 ?Image World: Art and Media Culture,? The Whitney Museum of American Art, New York.
?Chris Burden, Mario Merz, Bruce Nauman,? Fred Hoffman Gallery, Santa Monica, CA.
?TSWA: Four Cities Project,? Newcastle, England.
?New Works for New Spaces,? Wexner Art Center, Columbus, OH.
1989 ?1989 Biennial Exhibition,? The Whitney Museum of American Art, New York.
1988 Committed to Print,? Museum of Modern Art, New York. Traveling exhibition.
?Identity: Representations of Self,? The Whitney Museum of American Art, New York.
1987 ?Fringe Patterns,? Cleveland Center for Contemporary Art, Cleveland, OH.
?L.A. Hot and Cool: Pioneers?" Bank of Boston Art Gallery (organized by the
MIT List Visual Arts Center), Boston, MA.
?Sculpture Arenas,? Mandeville Art Gallery, University of California, San Diego, La Jolla, CA.
Franklin Furnace, New York.
1986 ?American Renaissance,? Museum of Art, Fort Lauderdale, FL.
?Poetic Resemblance,? Hallwalls, Buffalo, NY.
1986 ?Lumieres, perception-projection,? Centre internationale d'art contemporain,
Montreal, Québec, Canada.
?Inaugural Exhibition,? Museum of Contemporary Art, Los Angeles.
?Television's Impact on Contemporary Art,? The Queen's Museum, Flushing, NY.
?Products and Promotion,? San Francisco Camerawork Gallery, San Francisco, CA.
University Gallery of Fine Art, Ohio State University, Columbus, OH.
1985 ?The Maximum Implications of the Minimal Line,? Edith C. Blum Art Institute,
Milton and Sally Avery Center for the Arts, The Bard College Center,
Annandale-on-Hudson, NY.
?Recent Kinetic Sculpture,? The Whitney Museum of American Art, Phillip Morris
Branch at 42nd Street, NY.
?Between Science and Fiction,? San Paolo Biennial, Brazil.
?No! Contemporary American DADA,? Henry Art Gallery, University of Washington,
Seattle, WA.
?Inspired by Leonardo,? San Francisco Art Institute, San Francisco, CA.
?Brainwork as Artwork,? Los Angeles Municipal Art Gallery, Los Angeles, CA.
1984 ?In the Shadow of the Bomb,? Mount Holyoke College Art Museum, South Hadley, MA.
Traveled to: Gallery at the University of Massachusetts, Amherst, MA.
?A Recent Survey of International Painting and Sculpture,? Museum of Modern Art, NY.
?Automobile and Culture,? Museum of Contemporary Art, Los Angeles.
Traveled to: Detroit Institute of Art, MI.
?Content: A Contemporary Focus, 1974-1984,? Hirshhorn Museum and Sculpture
Garden, Smithsonian Institution, Washington, D.C.
?American Sculpture,? Margo Leavin Gallery, Los Angeles.
Lawrence Oliver Gallery, Philadelphia, PA.
?American and European,? L.A. Louver Gallery, Venice, CA.
?Salvaged: Altered Everyday Object,? Institute for Art and Urban Resources at
P.S. 1, New York.
?Art as Social Conscience,? Edith Blum Art Institute, The Bard College Center,
Annandale-on-Hudson, NY.
?Art Park at Manhattan Art,? Manhattan Art, NY.
?International Festival of Video Art,? Saw Gallery, Ottawa, Ontario, Canada.
?Money in Art,? Newspace Gallery, Los Angeles.
?Olympic Show,? Cirrus Gallery, Los Angeles.
?Return of the Narrative,? Palm Springs Desert Museum, Palm Springs, CA.
?Video: A Retrospective,? Long Beach Museum of Art, Long Beach, CA.
?National Video Festival Olympic Screenings,? The American Film Institute, Los Angeles.
1983 ?Deeds and Feats,? Contemporary Art Center, New Orleans, LA.
?International Performance Festival,? Rotterdam, Holland.
?California Current,? L.A. Louver Gallery, Venice, CA.
?Site Strategies,? The Oakland Museum, Oakland, CA.
?Publications of Cirrus Editions, Limited, Los Angeles,
?Survey of Prints: 1970-82,? Van Straaten Gallery, Chicago, IL.
?Summer Show,? Rosamund Felsen Gallery, Los Angeles.
?What Artists Have to Say About Nuclear War,? Nexus, Inc., Atlanta GA.
?Preparing for War,? Brooklyn Army Terminal, Brooklyn, NY.
1982 ?War Games,? Ronald Feldman Fine Arts, New York.
?A Tale of Two Cities,? San Antonio Museum of Art, San Antonio, TX.
?Illegal America,? Franklin Furnace, NY.
?Eight Artists: The Anxious Edge,? Walker Art Center, Minneapolis, MN.
?Premonitions of the Corporate Wars,? Nourse Gallery, Washington, D.C.
?Anti-Apocalypse: Artists Respond to the Nuclear Peril,? Ben Shahn Galleries,
William Paterson College, Wayne, NJ.
?New Work,? Rosamund Felsen Gallery, Los Angeles.
?Forgotten Dimensions...A Survey of Small Sculptures in California Now,?
Fresno Art Center, Fresno, CA. Traveled to eleven university galleries
and other institutions under the auspices of the Art Museum
Association, San Francisco, CA.
1981 ?The Museum as Site: Sixteen Projects,? Los Angeles County Museum of Art.
?California Performance Now and Then,? Museum of Contemporary Art, Chicago and
The Renaissance Society at The University of Chicago.
?Usable Art,? Myers Fine Arts Gallery, Plattsburgh State University College of
Arts and Sciences, Plattsburgh, NY. Travelled to: Brainerd Art Gallery,
State University College, Potsdam, NY; Danforth Museum, Framingham,
MA, 1981-82; Berkshire Museum, Pittsfield, MA, 1982.
?TV in Place,? San Francisco Art Institute, San Francisco, CA.
?Forty Famous Californians - Recent Unique Works on Paper,? Judith Christian Gallery,
New York.
?California: A Sense of Individualism,? L.A. Louver Gallery, Venice, CA.
?The Fix-It-Up Show,? Los Angeles Contemporary Exhibitions.
?Sculpture in California, 1975-1980,? San Diego Museum of Art, CA.
1980 ?Tableau,? Los Angeles Institute of Contemporary Art, Claremont Graduate School,
Claremont, CA.
?Contemporary Art in Southern California,? High Museum of Art, Atlanta, GA.
?First Person Singular: Recent Self-Portraiture,? Pratt Institute, Brooklyn, NY.
?Southern California Drawings,? Joseloff Gallery, Hartford Art School, University of
Hartford, West Hartford, CT.
?Art Talks,? KPFA-FM94 and KALX-FM90.7, Berkeley, CA.
?Science Fiction: Imaginary Voyages,? Bronx Museum of the Arts, Bronx, NY.
?Sculpture in California: 1975-1980,? San Diego Museum of Art, CA.
?The Gun Show,? Great Western Fair, Los Angeles County Fairground, Pomona, CA.
Rosamund Felsen Gallery, Los Angeles.
1979 ?Born in Boston,? De Cordova Museum, Lincoln, MA.
?The Reason for the Neutron Bomb," Ronald Feldman Fine Arts, New York.
"Images of Self," Hampshire College Art Gallery, Amherst, MA.
"Video Artists, Books and Guest Performers," Kansas City Art Institute, Kansas City, MO.
1978 ?From Pastel to Notation: Recent Drawings,? San Francisco Art Institute,
San Francisco, CA.
1978 ?Sense of Self - From Self-Portrait to Autobiography,? organized by Independent
Curators, Inc. Traveled to Neuberger Museum, State University of New
York, Purchase, NY; New Gallery of Conceptual Art, Cleveland, OH,
1979 University of North Dakota, Grand Forks, ND, 1979; Alberta
College of Art Gallery, Calgary, Alberta, Canada, 1979; Tangeman Fine
Art Gallery, University of Cincinnati, Cincinnati, OH, 1980; Allen
Memorial Gallery, Oberlin College, Oberlin, OH, 1980.
1977 ?1977 Biennial Exhibition,? The Whitney Museum of American Art, New York.
?Documenta 6,? Kassel, West Germany.
?A View of a Decade,? Museum of Contemporary Art, Chicago.
?The Artist's Book,? Mandeville Art Gallery, University of California, San Diego,
La Jolla, CA.
1976 ?Painting and Sculpture in California: The Modern Era,? San Francisco Museum of
Modern Art, San Francisco, CA. Traveled to National Collection of Fine
Arts, Washington, D.C.
?New Talent Award Winners '63-'76,? Los Angeles County Museum of Art, Los Angeles.
?Via Los Angeles,? Portland Center for Visual Artists, Portland, OR.
1975 ?Verbal/Visual,? Art Gallery, University of California, Santa Barbara, CA.
?Projects Video,? Museum of Modern Art, New York.
?Bodyworks,? Museum of Contemporary Art, Chicago.
?Southland Video Anthology,? Long Beach Museum of Art, Long Beach, CA.
?Via Los Angeles,? Portland Center for the Visual Arts, Portland, OR.
1974 ?L'Art Corporel,? Galerie Stadler, Paris.
?Art as Living Ritual,? Poolerie Gallery, Graz, Austria.
?California Climate,? Hamilton College, Hamilton, NY.
1971 ?Body Movements,? La Jolla Museum of Contemporary Art, La Jolla, CA.
Teaching:
1978-Present Full tenured Professor, Head of New Genre, University of California at
Los Angeles
Major Art Works and Installations:
Over 80 performances between 1971 and 1983, including:
1982 ?Hercules?
1975 ?White Light/White Heat?
1974 ?Transfixed?
1973 ?Icarus?
1971 ?Shoot?
Four separate art works simultaneously broadcast on several commercial T.V. channels in Los Angeles and New York City using T.V. advertising from 1973-1977.
1993 ?Fist of Light? (installation).
1991 ?The Other Vietnam Memorial.?
1990 ?Medusa's Head? (installation).
1987 ?All the Submarines of the United States of America.?
1986 ?Exposing the Foundations of the Museum.?
1985 ?Tower of Power.?
?Samson? (installation).
1984 ?Beam Drop.?
1983 ?Scale Model of the Solar System.?
1981 ?The Tale of Two Cities.?
1979 ?The Reason for the Neutron Bomb? (installation).
?The Big Wheel.?
1977 (c.)?C.B.T.V.? a working reproduction of the first mechanical T.V.
?Full Financial Disclosure.?
1975 ?B-Car? a fully operational 200 lb. automobile.
Honors and Awards:
1997-98 The Visual Artists Awards, Flintridge Foundation.
1983 National Endowment of the Arts Grant.
1980 National Endowment of the Arts Grant.
1976 National Endowment of the Arts Grant.
1974 National Endowment of the Arts Grant.
1973 New Talent Award, Los Angeles County Museum of Art.
Books and Catalogues:
1999 Morris, Frances. Chris Burden: When Robots Rule: The Two-Minute Airplane Factory.
London: Tate Gallery Publishing.
1998 O?Dell, Kathy. Acting Out: Contract with the Skin: Masochism, Performance Art
and the 1970s. Minneapolis: University of Minneapolis Press.
1997 1997 Biennial Exhibition. New York: The Whitney Museum of American Art.
1996 Chris Burden: Beyond the Limits. Ostfildern: Cantz Verlag.
Chris Burden: Beyond the Limits. Vienna: MAK, Cantz Verlag.
1995 Playtime: Artists and Toys. New York: The Whitney Museum of American Art.
Chris Burden. (illustrated biography). Paris: Blocnotes Editions.
1994 Beer, Jessica and Daniela Zyman, eds. Positions in Art. Vienna: MAK; Ostfildern:
Cantz Verlag.
1988 Chris Burden: A Twenty Year Survey. Newport Beach: Newport Harbor Museum.
1987 L.A.: Hot and Cool. Cambridge: MIT Albert and Vera List Visual Arts Center.
1986 Hunter, Sam, ed. An American Renaissance: Painting and Sculpture Since 1940.
Fort Lauderdale: Museum of Art; New York, Abbeville Press.
Chris Burden: The Artist and His Models. Miami: Lowe Art Museum.
Singerman, Howard, ed. Individuals: A Selected History of Contemporary Art,
1945-1986, Los Angeles: Museum of Contemporary Art; New York:
Abbeville Press.
Lumieres, perception-projection. Montreal: Centre International d'Art Contemporain.
Products and Promotion. San Francisco: San Francisco Camerawork.
Broughel, Barbara. Poetic Resemblance. Buffalo: Hallwalls.
Teaching Artists. Los Angeles: Frederick S. Wight Art Gallery, University of California,
Los Angeles.
Televisions Impact on Contemporary Art. New York: The Queens Museum.
1985 Between Science and Fiction. São Paolo.
Weintraub, Linda, ed. Maximal Implications of the Minimal Line. Annandale-on-
Hudson: Edith C. Blum Art Institute, Milton and Sally Avery Center for
the Arts, Bard College Center.
No! Contemporary American DADA. Seattle: Henry Art Gallery, University of Washington.
30 ans de recontres, de recherches, de partis pris. Paris: Galerie Stadler.
Kriesche, Richard. Artificial Intelligence in the Arts, NR. 1, "Brainwork. Graz
1984 Artpark 1984. Lewiston: Earl W. Brydges Artpark.
Automobile and Culture. Los Angeles, Museum of Contemporary Art; New York: Abrams.
Fox, Howard N., ed. Content: A Contemporary Focus, 1974-1984. Washington, D.C.:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution Press.
National Video Festival Olympic Screenings. Los Angeles: American Film Institute.
Rae Huffman, Kathy, ed. Video: A Retrospective, Long Beach Museum of Art,
1974-1984. Long Beach: Long Beach Museum of Art.
Phyllis Freeman et al., eds. New Art. New York: Abrams.
1983 Site Strategies: Terry Allen, Chris Burden, Terry Fox. Oakland: The Oakland Museum.
Gruber, Bettina and Maria Vedder. Kunst and Video: Internationale Entwicklung and
Kunstler. Cologne: DuMont.
1982 Lyons, Lisa. Eight Artists: The Anxious Edge. Minneapolis: Walker Art Center.
1980 Poling, Clark V. Contemporary Art in Southern California. Atlanta: The High
Museum of Art.
Hughes, Robert. Shock of the New. New York: Alfred A. Knopf.
1980 Luciano, Inga-Pin. Performances Actions, Events, Activities, Installations.
Italy: Mastrogiacomo.
1979 Deitch, Jeffrey, ed. Born in Boston; Sixteen Prominent Artists. Lincoln: De Cordova
and Dana Museum and Park.
Goldberg, Roselee. Performance: Live Art, 1909 to the Present. New York: Abrams.
Loeffler, Carl. Performance Anthology: A Source Book for a Decade of California
Performance Art. San Francisco: Contemporary Arts Press,
La Mamelle Inc.
1977 The Artist's Book. La Jolla: Mandeville Art Gallery, University of California, San Diego.
1977Biennial Exhibition. New York: The Whitney Museum of American Art.
Painting and Sculpture in California: The Modern Era. San Francisco: San Francisco
Museum of Modern Art.
Southland Video Anthology 1976-77. Long Beach: Long Beach Museum of Art.
1976 Do You Believe in Television? Calgary: Alberta College of Art Gallery.
Lippard, Lucy. N.E. Thing Co. Ltd.: Celebration of the Body. Kingston: Agnes
Etherington Art Center.
Frederick, D. The Book as Art. Washington D.C.: Fendrick Gallery. Introduction.
Schneider, Ira and Beryl Korot, eds. Video Art, An Anthology. New York and London:
Harcourt Brace Jovanovich. p. 264-65.
1975 Wortz, Melinda. University of California Irvine, 1965-75. La Jolla: La Jolla Museum of
Contemporary Art.
Licht, Ira. Bodyworks. Chicago: Museum of Contemporary Art.
Rose, Barbara. American Art Since 1900. New York: Praeger. Revised edition.
1974 Kurlansky, Mervyn and John Naar. The Faith of Graffiti. Text by Norman Mailer.
New York: Praeger.
Plagens, Peter. Sunshine Muse, Contemporary Art on the West Coast.
New York: Praeger.
Habel, Horst, ed. Art as Living Ritual. Graz: Poolerie Gallery.
1972 The New Art in Orange County. Newport Beach: Newport Harbor Art Museum.
Articles and Reviews:
2002 Nemec, Richard. ?The conceptual artist: He?s been shot, crucified and nearly
electrocuted.? Artforum, Jan, pp. 108-109.
2000 Hayman-Bolt, Joanna. ?Ye Olde Curiosity Shoppe: Gagosian Gallery in London.?
ARTnewsroom.com, Jun.
1998 Gertsler, Amy. ?Art Attack.? Los Angeles Magazine, Nov, pp. 98-105.
Hume, Christopher. ?Tiny Talents Pack Enormous Presence.? The Toronto Star,
Jan 29, Art News & Reviews section, p. A29.
Kangas, Matthew. ?Sometimes, a Little is a Lot.? The Seattle Times, Oct 22.
1997 Cotter, Holland. ?A Show That Could Travel in Just a Carry-On Bag.? The New York
Times, Dec 14, Arts & Leisure section, pp. 44-45.
Nilsson, Håkan, ?Sunshine & Noir.? Flash Art, Nov/Dec.
McFadden, Sarah. ?The ?Other? Biennial.? Art in America, Nov.
?Szene Los Angeles.? art: Das Kunstmagazin, Dec, No. 12, pp.30-40.
1996 Fleck, Robert. Review: Chris Burden at Museum Fur Angewandte Kunst. Artforum,
Issue 25, no. 3, Nov, p. 94.
Morgan, Stuart. ?Survival Kit: Stuart Morgan Visits the Chris Burden Retrospective at
the MAK Vienna.? Frieze, Issue 28, May, pp. 52-55.
1994 Schimmel, Paul. ?Chris Burden: Another World.? Art Press, Dec.
Rabinowitz, Jonathan. ?In L.A. Political Activism Beats Out Political Art.? The New York
Sunday Times, Mar 20, p. 34.
The New Yorker, Mar 21.
Cotter, Holland. Review: Chris Burden. The New York Times, Mar 18.
?Chris Burden: Medusa Head.? Brooklyn Museum News Letter, Jun/Jul/Aug.
Review: Chris Burden. Artforum, Jun, vol. 6.
Review. Flash Art, Nov/Dec, p. 31.
1993 ?Voices Choices: Chris Burden.? The Village Voice, Mar 2.
Decter, Joshua. Review: Chris Burden Artforum, Summer.
1992 Rugoff, Ralph. ?Selter and the Art of Our Times.? L.A. Weekly, Jan 31 – Feb 6.
Plagens, Peter. ?Welcome to Manson High.? Newsweek, Mar 2.
Muchnic, Suzanne. ?Art in the City of Angels and Demons.? The Los Angeles Times,
Jan 26.
Knight, Christopher. ?The Museum as Stage.? The Los Angeles Times, Apr 26.
Kimmelman, Michael. ?Helter Skelter Reveals the Evil ofBanality.? The New York Times,
Mar 22.
Hughes, Robert. ?Dada for the Valley Girl.? Time, Apr 20.
Baker, Kenneth. ?Helter Skelter a Defining Moment in L.A. Art.? San Francisco
Chronicle, Mar 19.
?At Home with Medusa?s Head.? Artweek, Sep 25, vol. 7, p. 16.
Skelley, Jack. ?Helter Skelter.? Downtown News.
1991 Tallmer, Jack. ?A Medusa Gorgantuan in Scale.? The New York Post, Jul 19.
Smith, Roberta. ?Medusa?s Head Without the Snakes.? The New York Times, Jul 12
The Phoenix, Jun 27 – Jul 12.
New York Magazine, Jul 1-8.
Larson, Kay. ?Spectator Sport.? New York Magazine, Jul 29.
Hughes, Jim. ?Heavy Hairdo.? Daily News, Jun 20.
Wachunas, Tom. ?This Medusa is a Very Lively Paradigm.? The Phoenix, Jul 11-20.
1987 Gardner, Colin. ?Making Waves in the Gallery.? Los Angeles Times, Oct 25,
Calendar, p. 2.
?Model Boats Exhibited.? Riverside Press Enterprise, Oct 25, p. C2.
Muchnic, Suzanne. ?Burden Drops a ?Bomb? on La Jolla.? Los Angeles Times, Jan 5,
Part VI
?Periscope Up.? The Los Angeles Times, Oct 4, Calendar.
1986 ?44 Artists Show the Light Touch has Many Facets.? Chicago Tribune, Sep 14,
pp. 18-19
1986 ?Attention: artistes aux projecteurs? Lumieres.? Le Devoir Culturel, Aug 2, pp.
C1-6.
Evans-Clark, Phillip. ?Messages Sent in the Medium of Light.? The New York Times,
Aug 17, Part II, p. 29.
?Les cents jours d?art contemporain – Que la lumiere soit.? Arts et spectacles,
Aug 2.
McManus, M. ?The Sleep of Reason.? Artweek, Dec 27, vol. 17, p. 5.
?Lumieres:Perception-Projection, Une brillante exposition.? Spirale, Oct 3, p. 2.
?MoCA Maiden Exhibit Goes for Baroque.? The Los Angeles Times, Dec 7,
Calendar, p. 100.
1985 ?Art That?s Anti-Everything.? The Weekly. Nov 27.
?Danger is His Business: Artist Creates Tension, Literally.? Seattle Times/Seattle
Post Intelligencer, Nov 10, pL2.
?Defiance of Dada Back, but Exhibit Caught in Paradox.? The Herald (Seattle,
WA), Dec 12, Calendar section.
Fleming, L. Review - ?Issues Are the Issue.? Art News, Jan, vol. 84, pp. 88-89.
Glowen, Ron. ?The Ongoing Paradoxes of Dada.? Artweek, Dec 14, vol. 16, p. 1.
Marter, J. ?Artpark: Site Installations in Retrospect.? Arts Magazine, Jan, vol. 59, p.
134
?Neo-Dadaists Offer Affirmative ?Nos.?? Seattle Post Intelligencer, Nov 12,
Entertainment, p. C5.
Olson, K. ?Art and Death in Seattle: Sankai Juku and Chris Burden Taking Risks.? High
Performance, vol. 8, no. 4, pp. 94-5.
?Toy Fantasy Narrates Somber ?Tale of Two Cities.?? Miami Herald, Sep 1, p. K2.
Turner, E. ?Chris Burden: The Artists and His Models.? ArtNews, Dec, vol. 84, p. 101.
Wilson, J. ?The Price is Right.? ArtNews, Apr vol. 84, p. 14.
1984 Knight, Christopher. ?Artist Chris Burden Rediscovers Tradition.? Los Angeles Herald
Examiner, Jan 22.
?West Coast.? Flash Art, Apr, no. 117, p. 38.
Bannon, Anthony. Review. Buffalo News, Aug 3.
Brown, Betty Ann. ?Puer Aeternus: The Eternal Boy in Art.? Visual Art, Summer.
Cassell, James. ?A Compelling Look at Postmodern Art.? U.S.A. Today, Oct 4.
Fine, Marshall. ?He?ll Drop the Big One.? Times - Union (Rochester, NY), Jul 31.
Gambrell, Jamey. ?Disarming Metaphors.? Art in America, Jan, vol. 72, pp. 83-7.
?Sites for Sore Eyes.? Village Voice, Aug 14.
?Meaning and Modern Art.? The Washington Post Magazine, Oct 7, p. 10.
?Man at His Best.? Esquire, Apr, p. 215.
McGill, Douglas. ?Art Made of I-Beams and Concrete.? The New York Times, Aug 3,
Part III, p. 22
Morgan, Robert. ?Bruden and Beam Drop.? High Performance, issue 27, p. 42.
Relyea, Lane. ?Einstein Meets the bugbear.? Artweek, Jan 28, p. 4.
Paul, Richard. ?Content Crammed – At the Hirshorn Shivers of Disquiet.? Washington
Post, Oct 4, p. B1.
Russell, John. ?Good Art Knows When to Shut Up.? The New York Times, Nov 25,
Part II, p. 27
Viva, Nov.
1984 ?The Galleries.? The Los Angeles Times, Jan 20, Part VI, p. 8.
Wallach, Amei. ?On Art MoMA Cover the Map.? Newsday, May 18.
Wolff, Theodore F. ?Modernism Reigns at the New MoMA.? Christian Science Monitor,
Jun 4, p. 33.
Yard, Sally. ?The Shadow of the Bomb.? Arts Magazine, Apr, vol. 58, p. 81.
1983 Review: ?Yankee Ingenuity.? Arts Magazine, Dec, vol. 58, p. 39.
Cavaliere, Barbara. Burden, Chris.? In Contemporary Artists, p. 145.
Edgerton, A.C. and M. Tuchman. ?Modern and Contemporary Art Council, Young Talent
Awards, 1963-1983.? Bulletin of the Los Angeles County Museum of
Art, vol. 27, p. 34.
?Voice Choice.? Village Voice, Nov 1.
Miedzinski, Charles. ?Questionings of Culture and Self.? Artweek, Nov 26, vol. 14,
pp. 1, 16.
McEvilley, Thomas. ?Art in the Dark.? Artforum, Summer, vol. 21, pp. 62-70.
Norklun, Kathi. ?Chris Burden Mellows.? Washington Market Review, Nov 30.
Wang, Paul. ?Video Guide.? Vancouver Video Magazine, Summer, pp. 5, 14, 15
1982 Banes, Sally. ?In the Still of the Night.? Village Voice, Apr 6, p. 85.
Brindle, D. ?Appropriate Finish.? Architectural Digest, vol. 52, no.3/4, p. 164.
Crary, Jonathon. ?War Games of Arms and Men.? Arts Magazine, Apr, vol. 56, p. 77.
Dowker, Peter P. ?Danforth Exhibition Fun, With a Big ?F? – The Usable Art Show is
Really Show Biz.? Worcester Telegram, Jan 3.
?Pick of the Week.? L.A. Weekly, Mar 26 – Apr 1, p. 101.
Levin, Kim. ?An Opinionated Survey of the Week?s Events.? Village Voice, Mar 16,
pp. 64-5
Levy, Mark. ?The Avant-Garde and the Open Work of Art: Traditionalism and
Performance.? ArtCom, vol. 4, no. 4, pp. 8-9, 43.
?Play it as it L.A.?s.? Art in America, Jan, pp. 90-98.
Reason, Rex. ?Democratism, or I Went to See Chelsea Girls an Ended Up Thinking
About Jenny Holzer.? Real Life, Spring/Summer.
Ruth, Moira. ?Performance.? Studio International, Jun, vol. 195, no. 995, p. 17.
Singerman, Howard. ?Art in Los Angeles, Los Angeles County Museum of Art.?
Artforum, Mar, vol. 20, pp. 75-7.
Temin, Christine. ?Reconsidering the Mundane.? The Boston Globe, Jan 7.
Village Voice, Jun 15, p. 9.
1981 McCambridge, Janet Frye. ?Ten from the Academe.? High Performance, vol. 4, Spring
p. 60.
Sargent-Wooster, Ann. ?Video.? Village Voice, Sep 2, p. 70.
Schjeldahl, Peter. ?L.A. Demystified.? Village Voice, Jun 3, pp. 34-6
?Spanning Time Zones.? Village Voice, Sep 2, p. 70
Stevens, Mark. ?California Dreams.? Newsweek, Aug 17, p. 78.
1980 Burnham, Linda. ?Chris Burden.? High Performance, Summer, vol. 3, p. 17.
Clothier, Peter. ?Artist as Hero.? Flash Art, Jan/Feb, no. 94/95, pp. 49-50.
Review. Artforum, Dec, p. 91.
Nickas, Bob. ?Chris Burden: Archaeologist.? Artery Magazine (William Paterson
College, Wayne, NJ), Apr/May.
Larson, Kay. ?Tips of the Icebergs.? New York Magazine, May 28, pp. 94-5.
?Ten Best/Ten Worst.? Images and Issues, vol. 1, winter 1980/91, p. 26.
1980 Review. SoHo Weekly News, Apr 16.
Young, Kenneth. ?Psst, Psst, Wanna Buy a Used Car? Or White Boy?s Burden.? The
East Village Eye, Jun.
Zimmer, William. ?It?s Only a Paper Moon, Etc.? The SoHo Weekly News, Jul, vol. 23.
1979 ?The Death of Close Radio.? High Performance, Jun, vol. 2, pp. 2-3.
?Chris Burden.? Arts Magazine, Jun, vol. 53, p. 4.
Drohojowska, Hunter. ?Fear and Fantasy in L.A., The Artwork of Chris Burden.?
L.A. Weekly, Sep 28 - Oct 4.
Hoffman, Fred. ?Chris Burden's Humanism.? Artweek, Oct 27, vol. 10, pp. 1, 16.
Moisan, Jim. ?Border Crossing.? High Performance, Mar, vol. 2, p. 4-11, Interview.
Perry, A. ?Chris Burden as Stonebreaker.? Vanguard, Sep, vol. 8 (Canada), pp. 21-23.
Rickey, C. Review. Flash Art/Heute Kunst, Jun/Jul, no. 90-91, p. 43.
Perry, A. ?Chris Burden as Stonebreaker.? Vanguard, Sep, vol. 8, pp. 21-23.
Ross, J. ?Critic's Alphabet.? Artweek, Dec 15, vol. 10, p. 6.
?The Galleries.? Los Angeles Times, Oct 12, Part VI, p. 12.
White, Robin. ?Interview: Chris Burden.? View, Jan, pp. 1-20.
1978 Chalupecky, Jindrich. ?Art and Sacrifice.? Flash Art/Heute Kunst, Feb/Apr, no. 80/81,
pp. 31-35.
Chrissmass, Dwight. ?Chris Burden's Full Financial.? Dumb Ox, spring, no. 6/7,
pp. 64-65.
Review: ?Chris Burden.? Arts Magazine, Jan, vol. 51, p. 20.
Grobel, Larry. ?Chris Burden: Picasso Used Canvas. Michelangelo Used Marble. Chris
Burden Uses His Body.? Playgirl, Apr.
Lewis, Louise. ?Actions Performed and Documented.? Artweek, Sep 16, vol. 9, p. 7.
Reak-Johnson, Bridget. ?Chris Burden.? Journal (of the Los Angeles Institute of
Contemporary Art), Oct/Nov, no. 20, p. 68-69.
Rose, Cynthia. ?California: Chris Burden's Conceptual Chutzpa.? VIZ, Dec, no. 1.
?Toward A History of California Performance.? Arts Magazine, vol. 52, Part I: Feb,
pp. 94-103; Part II: Jun, pp. 114-123.
Rubinfien, Leo. Review. Artforum, Jan, vol. 16, pp. 68-9.
?Through Western Eyes.? Art in America, Sep/Oct, vol. 66, pp. 79-80.
Wasserman, Henry. ?Chris Burden: The Recycled Crucifixion of the Conceptual Christ.?
High Times, Mar.
?Risk as the Practice of Thought.? Flash Art/Heute Kunst, Feb/Apr, no.80/81, p.
39.
1977 Review: ?Chris Burden: B-Car.? Arts Magazine, Jun, vol. 51, p. 28.
Glueck, Grace. ?Art People.? New York Times, Apr 8, Part II, p. 21.
Review of B-Car. Kunstwerk, Aug, vol. 30, p. 66.
Lewis, Jo Ann. ?Art: Soho-by-the-Fulda, Home of the Bonapartes, the Brothers Grimm
and the Avant-Garde.? Washington Post, Jul 10, p. H1.
?New York/Kassel, Chris Burden.? Domus, Nov, no. 576 (Milan), p. 55.
Review. New York Times, Nov 18, Part III, p. 23.
Perrone, Jeff. Review. Artforum, Summer, vol. 15, p. 68.
Schwartz, Ellen. Review. Artnews, Oct, vol. 76, p. 133.
?Il contenuto dela mia mostra e Guardatemi mentre muoio.? Bolaffiearte,
May/Jun.
1977 Seldis, Henry J. and William Wilson. ?Art Walk - A Critical Guide to the Galleries.? Los
Angeles Times, Sep 30, Part IV, p. 10.
?Performance Documented and Reconstructed.? Artweek, Oct 15, vol. 8, pp. 1,
16.
1976 Arnold, R. ?Spoken Retrospective: Chris Burden at Thirty.? Midwest Art, vol. 3,
summer p. 19.
Art and Artists, Feb 10, p. 43.
Ballatore, Sandy. ?Ten L.A. Artists.? Artweek, Sep 25, vol. 7, p. 16.
Buettner, Stewart. ?Six Los Angeles Artists.? Artweek, Jan 31, vol. 7, p. 16.
Frank, Peter. ?Auto-Art: Self-Indulgent? And How? ARTnews, Sep, vol. 7, pp. 43-8.
?Art People.? The New York Times, Dec 31, Part IV, p. 18.
Goldberg,Roselee. ?Chris Burden 71-73.? Art-Rite, Winter, no. 14, p. 40.
Horvitz, Robert. ?Chris Burden.? Artforum, May, vol. 14, p. 24-31, Cover story.
Mancia, M. ?Psycho-analysis and Art.? Data (Italy), Jul/Sep, no. 22, pp. 52, 78-80.
McIntyre, A. ?L'Art corporel (Body Art).? Art and Australia, Jul/Sep, vol. 14 pp. 74-8.
The New York Times, Dec 31, Part III, p. 18.
Rosengren, Helen. ?Agony and Artistry.? The Herald (Australia), Jun 5.
Sieberling, Dorothy. ?The Art Martyr.? New York Magazine, May 24, p. 48.
Waters, Harry. ?Television.? Newsweek, Jun 28, p. 48.
1975 Andre, Michael. Review ?Chris Burden.? Art News, May, vol. 74, p. 93.
Anderson, Monroe. ?At Last, They See Thru His Art.? Chicago Tribune, Apr 14.
Review. ?Bodywork at Rest.? Art Gallery, May.
Bourdon, David. ?Body Artists Without Bodies.? Village Voice, Feb 24, p. 85.
Calendo, John. ?Chris Burden: Self-Torture is Art.? In the Know, Jun.
?Chris Burden.? Vision, Sep, no. 1, pp. 50-1.
Ebert, Roger. ?His Art Moves the Audience - Out the Door.? Chicago Sun-Times, Apr.
?What Do you Do in Chicago? Lie Down for 45 Hours - The Danger of Art.?
Chicago Sun-Times, May 25.
Evett, Kenneth. ?Death Wish.? The New Republic, May 17, pp. 30-32.
Ferrari, Carina. ?Performances negli USA e a Milano.? Domus (Milan), Aug, p. 50.
Fitzpatrick, Tom. ?His Art 'Doomed,' But Was He?? Chicago Sun-Times, Apr 14.
Frackman. Noel. Review. ?Chris Burden.? Arts Magazine, Apr, vol. 49, p. 9.
?Portrait of the Artist of a Young Man.? Time, Feb 24, p. 56.
?Is Violence Art?? Penthouse, Feb, p. 36.
Kozloff, Max. ?Pygmalion Reversed.? Artforum, Nov 14, p. 33.
McEvoy, Marion. ?Chris Burden: No Fear of Frying.? Women's Wear Daily, Mar 18.
Marioni, Tom. ?Out Front.? Vision, Sep, no. 1, pp. 8-11.
Merridew, Alan and Frank Zahour. ?This Body Artist Ain't Got Nobody.? Chicago
Tribune, Apr 13.
Nemec, Richard. ?The Conceptual Artist: He's Been Shot, Crucified and Nearly
Electrocuted.? Independent Press Telegram, Feb 2, pp. 9-12, pp. 38-
42.
Pluchart, François. ?L'art corporel (Body Art).? ArTitudes International, Jan/Mar, No.
18-20, pp. 49-96.
?Chris Burden.? Data, Sep/Oct, no. 18, pp. 68-70.
Rush, David. ?Visual and Verbal.? Artweek, Oct 18, vol. 6, p. 16.
?Their Art Belongs to Dada.? Seattle Times, Nov 7, p. G1.
1974Walker, Jeff. Penthouse, Feb.
Albright, Tom. ?Crucifixions and Whatnot, An 'Artist's' Schtick.? San Francisco
Chronicle, Sep 12, p. 44.
Avalanche. Dec 1974.
1974 Bear, Liza. ?Chris Burden...Back to You: An Interview with Liza Bear.? Avalanche,
May/Jun, vol. 9, p. 12.
Bongartz, Roy. ?Conceptual Art.? The New York Times, Aug 11, Part II, p. 1.
Brown, Ellen. ?The Evel Knievel of Art.? Cincinnati Enquirer, Dec 14.
Brumfield, Bob. ?One Explanation Comes to Mind.? Cincinnati Enquirer, Nov, vol. 10,
p. 13-A
Butterfield, Jan. Pacific Sun (San Francisco), Apr 18.
Carroll, Donald. ?Chris Burden: Art on the Firing Line.? Coast (Orange County, CA),
Aug, pp. 29-31.
Collins, James. Review. Artforum, May, vol. 12, pp. 72-3.
?Garland of Galleries.? Newsweek, Mar 11, p. 90.
Der Lowe (Bern, Switzerland), May, nr. 1, "Aktionismus" issue, pp. 22-52.
Findsen, Owen. ?Art of Beauty; Art of Distress.? Cincinnati Enquirer, Dec 15, p. 7-G.
Flash Art, Dec/Jan, no. 50/51, p. 20.
?Multiples, Objects and Artists Books: Chris Burden.? Print Collector's
Newsletter, Nov/Dec, vol. 5, p. 126.
?Picasso's Fakes and Other Stories.? ARTnews, Summer, vol. 73, p. 18.
Polak, Clark. Free Press (Los Angeles), Jan 25.
?Chris Burden--Cancelled.? Free Press (Los Angeles), Mar 22.
Radice, Barbara. ?Chris Burden.? Data (Italy), summer, no. 12, pp. 106-9.
Siegel, Jeanne. Review Art News, Apr, vol. 73, p. 102.
?Burden's Case Tried, Dismissed.? Artweek, Feb 24, vol. 4, p. 2.
Sowers, M.L. ?Chris Burden Performs.? Artweek, Oct 5, vol. 5, p. 3.
Van Buren, Judith. Review. Arts Magazine, Apr, vol. 48, p. 66.
1973 Sharp, Willoughby. ?Chris Burden: The Church of Human Energy.? Avalanche,
Summer/Fall, vol. 8, p. 54-61.
?Chris Burden's Dead Man.? Avalanche, winter/spring, p. 2.
Davis, Douglas. ?Death for Art's Sake.? Newsweek, Dec 24, p. 68; see also ?Country
Art and City Art,? pp. 90-91.
Douke, Daniel. ?Burden at Newspace.? Artweek, Jul 7, vol. 4, p. 5.
Esquire, Mar.
Montgomery, Cara. Review. Arts Magazine, Mar, vol. 47, p. 66..
Plagens, Peter. ?California Artists.? The New York Times, Sep 2, Part II, p. 1.
?He Got Shot - For His Art.? The New York Times, Sep 2, p. D1, 3.
Smith, Barbara T. ?Art Piece Brings Arrest.? Artweek, Jan 6, vol. 4, p. 3. See also
letter to editor, Artweek, Feb 10, p. 2.
Spear, Athena. ?Some Thoughts on Contemporary Art.? Allen Memorial Art Museum
Bulletin, Spring, vol. 30, p. 92;
?Relevance - And Art, Too.? ARTnews, Jan, vol. 72, pp. 37-8.
?The Galleries.? Los Angeles Times, Jan, Part IV, p. 10.
Winer, Helene. Jam & Butter (Osaka Japan), May 1.
Turbell Wortz, Mellinda. ?An Evening with Chris Burden.? Artweek, Dec 22 & 29, vol. 4,
1972 ?Chris Burden.? Avalanche, Spring, p. 6.
?Art Notes: Winning the West.? The New York Times, Apr 16, Part II, p. 19.
Hughes, Robert. ?Decline and Fall of the Avant-Garde.? Time, Dec 18, pp. 111-12.
McDonnell, Terry. ?Man Is Shot for Art's Sake: Whether It's Art or Insanity, It's Serious
Business.? LA, Nov 18.
?Newport Harbor Exhibit.? Los Angeles Times, Mar 24, Part IV, p. 1.
Wilson, William. ?This is Art - These People Are Artists.? Los Angeles Times, Mar 24,
Part IV.
1971 ?Body Sculpture, Sky Paintings.? Artweek, Apr 3, vol. 2, pp. 1, 8.
Upshaw, Reagan. ?Content & Context: Some Reactionary Reflections.? National Arts
Guide, Jan/Feb.
Writings by the Artist:
1984 ?Dreamy Nights.? Rampike, vol. 3, no. 2.
1979 ?Coals to Newcastle.? High Performance, Mar, no. 2, pp. 12-13.
?The Curse of Big Job.? High Performance, Mar, no. 2, pp. 2-3.
1978 Chris Burden: 74-77. Los Angeles: Chris Burden.
1977 Burden, Chris and Alexis Smith. B-Car, The Story of Chris Burden's Bicycle Car.
CHOKE Publications.
Full Financial Disclosure . Los Angeles: Jan Baum-Iris Silverman Gallery.
?Chris Burden.? Flash Art (Italy), Jan/Feb, no. 70/71, pp. 40-44.
?Garcon.? Art Com (La Mamelle pub.), vol. 2, pp. 14-15.
1976 ?100 M.P.H./100 M.P.G.? Criss Cross Double Cross, no. 1, pp. 37-38.
?B-Car.? Choke, Sep, pp. 23-26.
1975 Burden, Chris and Jan Butterfield. ?Chris Burden: Through the Night Softly.? Arts
Magazine, Mar, no. 49, pp. 68-72.
?Chris Burden.? Flash Art (Italy), Jun/Jul, no. 56/57, pp. 39-41.
?Oracle.? Vision, Sep, no. 1, pp. 50-51.
?Sculptured in Three Parts.? Art Com (La Mamelle pub.), summer, vol. 1.
1974 Chris Burden, 71-73. Los Angeles: Chris Burden.
Film, videotapes and audiotapes:
1984 ?Beam Drop.? Film, 6 minutes.
1983 ?Cost-Effective Micro-Weaponry That Works.? Videotape, 2 minutes.
1982 ?Fire by Friction.? Videotape, 2 minutes.
1980 ?The Big Wheel.? Videotape, color, 29 minutes. Produced by
Sharpcom Productions.
1979 ?Send Me Your Money.? Audiotape.
?Wiretap.? Audiotape.
?Atomic Alphabet.? Audiotape.
1978 ?The Citadel.? Audiotape.
1977 ?Full Financial Disclosure.? Videotape commercial, color, 39 minutes.
1975 ?Selections 1971-74.? Videotapes, B/W and Color, 36 minutes.
1975 ?Car Nut.? B/W Videotape, 25 minutes. Produced by Art Tapes, Florence.
?Guru for Detroit.? B/W Videotape, 25 minutes. Produced by Art Tapes,
Florence.
?Art and Technology.? B/W Videotape, 25 minutes. Courtesy De Appel,
Amsterdam, The Netherlands.
?Chris Burden: Videoviewed by Willoughby Sharp.? B/W Videotape,
30 minutes.
1974 T.V. Interview. Videotape, color, 30 minutes.
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