Born 1961, Los Angeles, CA. Lives and works in Los Angeles.


1997 Master of Fine Arts, California Institute of the Arts

1995 Bachelor of Fine Arts, California Institute of the Arts



Nobody Jones, Sikkema Jenkins & Co., New York, NY

Maps and Manifests: New Work by Mark Bradford, Cincinnati Art Museum, Cincinnati, Ohio

ArtPace, San Antonio, TX


Neither New Nor Correct: New Work by Mark Bradford, The Whitney Museum of American Art, New York, NY


Mark Bradford: The Other Side of Perfect, World Class Boxing, Miami FL


Mark Bradford: Niagara, LA><ART, Los Angeles, CA


Grace and Measure, Brent Sikkema, New York, NY


Bounce: Mark Bradford and Glenn Kaino, REDCAT, Los Angeles, CA


Very Powerful Lords, Whitney Museum of American Art at Philip Morris,

New York, NY

Tainted, Lombard-Freid Fine Arts, New York, NY


Caught Up, Suzanne Vielmetter Los Angeles Projects, Los Angeles, CA

Mark Bradford, Patricia Faure Gallery, Santa Monica, CA

That Wasn’t My Car You Saw, Finesilver Gallery, San Antonio, TX

Project Series 16: Mark Bradford, Pomona College Museum of Art,

Claremont, CA


I Don't Think You Ready For This Jelly, Lombard-Freid Fine Arts, New York


Color Theory, Luggage Store, San Francisco, CA 1999 European Wavy, Two Rivers Gallery, Pittsburgh, PA


Distribution, Deep River, Los Angeles, CA

Floss, Walter McLean Gallery, San Francisco, CA


2010 America Here + Now, Curated by Eric Fischl, Presented by Artrain, Apr.

2010 – Nov. 2011

2009 Private Universes, Dallas Museum of Art, TX: May 24 – Aug. 30, 2009

Abstract America: New Painting and Sculpture, Saatchi Gallery, London,

UK: May 29 – Sep. 13, 2009

Mapping the Studio: Artists from the François Pinault Collection, curated by

Alison M. Gingeras and Francesco Bonami, Punta della Dogana/Palazzo

Grassi, François Pinault Foundation, Venice, Italy: June 6, 2009

2008 Contemporary Projects 11: Hard Targets—Masculinity and Sport, Hammer

Museum at UCLA, October 9, 2008–January 19, 2009

Life on Mars, 55

Carnegie International, Carnegie Museum of Art,

Pittsburgh, PA May 3, 2008- January 11, 2009

Prospect.1 New Orleans, New Orleans, Louisiana, November 1st, 2008- January 18, 2009

‘Order. Desire. Light. : An Exhibition of Contemporary Drawings,’ Irish

Museum of Modern Art, Dublin, July 25- October 19, 2008

Collage: The Unmonumental Picture, The New Museum, New York, NY,

January 16- March 23

Wall Rockets: Contemporary Artists and Ed Ruscha. Curated by Lisa

Dennison. The FLAG Art Foundation, New York, NY: Oct. 3, 2008 – Apr.

18, 2009; Albright-Knox Art Gallery, Buffalo, NY: Nov. 13, 2009 – Feb. 21, 2010

Here is Every. Four Decades of Contemporary Art. MoMA, New York, NY:

Sep. 10, 2008 – Mar. 23, 2009

30 Americans, Rubell Family Collection, Miami, FL: Dec. 30, 2008 – May 30, 2009

2007 Street Level: Mark Bradford, William Cordova, Robin Rhode, Nasher

Museum, Duke University, Durham, NC March 29-July 29 2007, ICA

Boston, Boston, MA March 19-October 19, 2008

Brave New Worlds, The Walker Art Center, Minneapolis, MN, October 4 -

February 17, 2008

Eden's Edge: Fifteen LA Artists, The Hammer Museum at UCLA, Los

Angeles, CA, May 13 - Sep 2, 2007

My Love is a 187, The Luggage Store, Friday February 9- March 17, 2006

Art on Paper, 2006, Weatherspoon Art Museum, University of North

Carolina at Greensboro, Greensboro, NC, Nov 12, 2006- Jan 21, 2007Red Eye: L.A. Artists from the Rubell Family Collection, Rubell Family Collection, Miami, FL.

Black Alphabet- ConTEXTS of Contemporary African-American Art, Zacheta

National Gallery of Art, Warsaw, Poland.

USA TODAY, Royal Academy of the Arts, London. Oct. 6 – Nov. 4, 2006;

The State Hermitage Museum, St. Petersburg, Russia. Oct. 24, 2007 – Jan,13, 2008

Consider This…(a LACMALab project) LA County Museum of Art, Los Angeles, CA

Witness Protection, Robert V. Fullerton Art Museum, California State

University, San Bernardino, CA

Meditations in an Emergency, Museum of Contemporary Art, Detroit, MI

The Home of the Free, Hyde Park Art Center, Chicago

Sao Paolo Biennial, Sao Paolo, Brazil

Busan Biennial, Busan, South Korea

Black Alphabet, Zacheta National Gallery of Art, Warsaw, Poland

Whitney Biennial: Day for Night, Whitney Museum of American Art, New York, NY

Dark Places, Santa Monica Museum of Art, Santa Monica, CA

Sisqueiros Project, Curated by Lauri Firstenberg, REDCAT, Los Angeles, CA

Linkages & Themes in the African Diaspora: Selections from the Eileen

Harris Norton and Peter Norton Art Collections, Museum of the African

Diaspora, San Francisco, CA, December 1, 2005- March 12, 2006

Cut, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA

inSite: Art Practices in the Public Domain, San Diego, CA and Tijuana, Mexico

Farsites, San Diego Museum of Art, CA and the Centro Cultural de Tijuana, Mexico

Rogue Wave ’05: Nineteen Artists from Los Angeles, L.A. Louver, Venice, CA

African Queen, Studio Museum in Harlem, New York, NY

2004 California Biennial, Orange County Museum of Art, Newport Beach, CA

Perspectives @25: A Quarter-Century of New Art in Houston, Contemporary

Arts Museum, Houston, TX.

New Balance Frontier, Soap Factory, Minneapolis, MN

Broad Territories, UCR/California Museum of Photography, Riverside, CA

Fade (1990-2003), Luckman Gallery and University Fine Arts Gallery,

California State University, Los Angeles, and Craft and Folk Art Museum, Los Angeles, CA

2003 ARCO 2003, Madrid, Spain (curated by Lauri Firstenberg)

Lean To, Real Art Ways, Hartford, CT

Hair Stories, Scottsdale Museum of Contemporary Art, Scottsdale, AZ

(traveling exhibition)2002 Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum; traveled to Center for Curatorial Studies Museum, Bard College, Annandaleon-Hudson, NY

Pertaining to Painting, curated by Paola Morsiani, Contemporary Arts

Museum, Houston, TX; travels to Austin Museum of Art, Austin, TX

Painting as Paradox, Artists Space, New York, NY

Mixed Feelings, USC Fisher Gallery, Los Angeles, CA

Ghetto Fabulous, Watts Tower Art Center, Los Angeles, CA

2001 Freestyle, curated by Thelma Golden and Christine Kim, Studio Museum in

Harlem, New York, NY; traveled to Santa Monica Museum of Art, Santa Monica, CA

Snapshots: New Art from Los Angeles, UCLA Hammer Museum, Los

Angeles, CA; traveled to Museum of Contemporary Art, North Miami Beach, FL

Capital Art, 2001, Track 16 Gallery, Santa Monica, CA

2000 Contemporary Art by African American Artists, The Art Museum of Princeton, NJ

Fresh Cut Afros, Watts Towers Gallery, Los Angeles, CA

Black Male, Reginald Ingraham Gallery, Los Angeles, CA

1999 A Place Called Lovely, Greene Naftali, New York, NY

Biennale Internazionale 1999, Palazzo degli Affari, Florence, Italy


2006 Bucksbaum Award (The Whitney Museum of American Art)

2006 USA Fellowship Award

2003 Louis Comfort Tiffany Foundation Award

2002 Nancy Graves Foundation Grant

2002 Joan Mitchell Foundation Award



Sciortino-Rinehart, Natalie. “Missing Prospects: A Reflection on ‘Prospect.1 New Orleans’.”

Afterall. 19 Jan. 2009. <>

Fowle, Kate. “Prospect.1: New Orleans; Theanyspacewhatever: Solomon R. Guggenheim

Museum; The Art of Participation: San Francisco Museum of Modern Art.” Modern

Painters. Mar. 2009: 69.

Amado, Miguel. “New Orleans – Post-Katrina: Prospect.1.” FlashArt. Jan./Feb. 2009: 44.

Kaudman, Jason Edward. “Prospect.1 – Can New Orleans reinvent itself as a fine art

destination? “Bleeding heart” biennial surprises with a vast range of exciting art projects.”

The Art Newspaper. Dec. 2008: 11.Wei, Lilly. “Deliverance: The Biennial.” Art in America. Feb. 2009: 43-52.


Ligon, Glenn and Schambelan, Elizabeth. ‘Civic Engagement,’ Artforum, January 2009, p.


Juncosa, Enrique. ‘Order. Desire. Light. : An Exhibition of Contemporary Drawings,’ c.

IMMA Dublin 2008 ISBN: 9781-903811-90-0 (Exhibition Catalogue)

Robinson, Walter. ‘Bleeding-Heart Biennale,’, November 7, 2008

MacCash, Doug. ‘Art Ahoy: A Vessel loaded with Symbolism’ The Times-Picayune,

November 2, 2008

Cameron, Dan. Bloemink, Barbara. Elie, Lolis Eric. Tancons, Claire. “Prospect.1 New

Orleans” (exhibition catalog) c. U.S. Biennial Inc. 2008 ISBN 9780981562292

Dennison, Lisa, and Frey, James. Wall Rockets, c. The Flag Art Foundation, (exhibition

catalog) New York, NY 2008

“The Upset – Young Contemporary Art,” Edited by Robert Klanten, Sven Ehmann, Hendrik

Hellige & Pedro Alonzo. C. Gelstalten, Berlin, 2008 ISBN: 978-3-89955-221-8

“Abstract America” Exhibition Catalogue Saatchi Gallery Pages 186- 188 2008

The Kansas City Star “Top of the Week” June 2008

Gwinn, Liz. ‘Mark Bradford at Prospect.1’ Studio Magazine Fall/Winter 2008-09

Heilenman, Diane. “UK Architecture student earns spot in Boston Expo” Courier March 2008.

McQuaid, Cate. “Streetwise” The Boston Globe. March 2008

A&E “Cincinatti Art Museum” & “Maps & Manifests” Page D8. “The Big Picture”. Page D7.

March 2008.

Smith, Roberta. “Kaleidoscopic Biennial for a Scarred City,” The New York Times,

November 3, 2008

MacCash, Doug. “A Vessel Loaded with Symbolism,” The Times-Picayune, Sunday

November 2, 2008

Berwick, Carly. “Encouraging Wards,” ARTnews, October 2008 pp 66-67

Dorfman, Elena. ‘Rocket Woman,’ Art & Auction, October 2008 pp. 168-171

Weinberg, Adam. Momin, Shamim M. ‘Whitney Museum of American Art at Altria: 25

Years’ c. Whitney Museum of American Art 2008 ISBN 978-0-300-13933-4

Newcomb, Beth, ‘Artpace works hard to bring contemporary art to San Antonio,’ The

Paisano,’ August 26, 2008

Wolff, Elaine. ‘Racing against time and the odds at Artpace,’ San Antonio Current, August


Lark, Laura. ‘Contemporary Art Month in San Antonio,’ Texas Visual Art Online:, August 2008

Caruth, Nicole. ‘Mark Bradford at Artpace,’, July 9th, 2008

Esquire Magazine, 75th

Anniversary Issue, October 2008, p. 55

Eden, Laura. ‘Mark Bradford,’ Elle Décor, October 2008, pp. 94-96

Heiser, Jorg. ‘55th

Carnegie International,’ Frieze, September 2008. Pp. 187-88

Schwalb, Harry. ‘Carnegie International,’ ARTnews Summer 2008 p. 173

Jones, Irie. June 4, 2008

Wulff, Friederike. ‘Mark Bradford,’ ArtInvestor 01/2008

Heartney, Eleanor. “Make it New,” Art in America, April 2008

Wilson, Michael. “Mark Bradford at Sikkema Jenkins & Co.,” Artforum, April 2008Knight, Christopher. ‘Mark Bradford examines life viewed through today’s technology,’ LA

Times, April 2, 2008

The New Yorker, ‘Goings on about town,’ February 21, 2008

Cohen, David. ‘Soul Revival,’ The New York Sun, February 14, 2008

Rosenberg, Karen. “Mark Bradford at Sikkema Jenkins & Co.” The New York Times,

February 8, 2008

Risemberg, Rafael. “Mark Bradford at Sikkema Jenkins & Co.” The New York Blade,

February 8, 2008

Kuan, Debora, “Mark Bradford at Sikkema Jenkins & Co.” February 5.

Falconer, Morgan. “Mark Bradford at Sikkema Jenkins & Co. New York,” The Saatchi

Gallery blog January 24


Wright, Karen “Artist Bradford Attacks Picture with a Sander, Fired by Katrina” September 2007

Bedford, Christopher “’Eden’s Edge’: Fifteen LA Artists at the Hammer Museum” Afterall

August 2007

“Brave New Worlds,” exhibition catalog, c. The Walker Art Center, Minneapolis, MN 2007

ISBN 0-935640-89-4

“Red Eye: L.A. Artists from the Rubell Family Collection,” exhibition catalog, c.The Rubell

Family Collection 2007

Wulff, Friederike. ArtInvestor issue O5, 2007, pp.56-8

Amir, Yaelle. Beautiful Decay, Issue U

Brown, Becky. “Neither New Nor Correct,” The Brooklyn Rail, November 2007

Jackson, Brian Keith. “How I Made It: Mark Bradford,” New York Magazine, September

27, 2007

Garrels, Gary. “Eden’s Edge: Fifteen LA Artists,” (Exhibition catalogue), c. Hammer

Museum, LA 2007 ISBN: 9780943739-311

Halperen, Max. “Mark Bradford + William Cordova + Robin Rhode,” Art Papers, JulyAugust 2007, p. 59

Gray, Emma. “LA Confidential,” Artnet, June 13, 2007

Finkel, Jori. “A Reluctant Family, Thinking Post-Black,” The New York Times, June 10

Vergne, Philippe. “Ice Cream,” c. Phaidon Press 2007. ISBN: 978-07148-46804,pp.60-63

Schoonmaker, Trevor and Lewis, Sarah. ”Street Level: Mark Bradford, William Cordova

and Robin Rhode,” (exhibition catalog) c. Nasher Museum of Art at Duke University, Durham

NC. ISBN 0-938989-28-6

Amado, Miguel. “Street Level,”, May, 2007

Mizota, Sharon. “Mark Bradford at LAXART, Los Angeles,” ARTNews, February 2007

Leffingwell, Edward. “ Report from Sao Paulo: Design for Living,” Art in America, February,

2007 pp. 78-83

Dambrot, Shana Nys. “La La Land: Eden’s Edge,” Art Review, Issue 11, May 2007, p. 32

Dambrot, Shana Nys, “Eden’s Edge,” Real Talk LA, May 13, 2007

Crowl, Tara. ‘A Collision of Art to reflect the pocketed City of Angels,” The Daily Trojan, May 16, 2007

Christie, Tom. ‘The Newcomer’ LA Weekly, May 25-31 2007

Harvey, Doug. ‘Personal Choices,’ LA Weeky, May 25-31 2007

Farber, Jim. ‘On the Edge,’ Daily News, May 27, 2007Dambrot, Shaha Nys. Whitehot, Summer 2007 Issue #4

Epstein, Rebecca. ‘A Selection of Sensous Affection,’ LA & E. 2007

Gray, Emma. ‘LA Confidential,’, June 13, 2007

Yablonsky, Linda. ‘In LA the Art is Hot and the Prices Cool,’, June 27, 2007


Diehl, Travis. “A medium we can all appreciate: Weatherspoon’s 2006 Art on Paper,” The

Carolinian, Nov 28- Dec 4, 2006

27a. Bienal de Sao Paulo Guia (Exhibition Catalogue) edited by Lisette Lagnado and

Adriano Pedrosa. Interview with Mark Bradford by Betti-Sue Hertz

Ellis, Patricia., Rosenthal, Norman., Dailey, Meghan. USA TODAY, (exhibition catalogue) c.

Royal Academy of the Arts, London and the Saatchi Gallery. ISBN: 1903973961

Markovits, Benjamin, “Culture Sculpture,” The Times Literary Supplement, November 3,


Sharpe, Emily. “Mark Bradford: Mapping Urban Sprawl,” The Art Newspaper, Dec 6, 2006

Nelson, Steven. Mark Bradford, Sikkema Jenkins & Co., New York, NY. c. 2006

Art in America, December 2006, The Other Side of Perfect, World Class Boxing, Miami FL)

Selected by the Stars, The Art Newspaper, Saturday-Sunday 14-15 October, 2006, p.6

Brewinska, Maria. Black Alphabet – contexts of Contemporary African American Art,

(Exhibition Catalogue) Zacheta Narodowa Galeria Sztuki, Warsaw, Poland.

1111 Journal of Literature and Art, Volume III, 2006

Hardy, Ernest, Garrels, Gary, “The Eye of LA” West: The Los Angeles Times, June 11,

2006, p. 16-29, 51

Lindeman, Donald. “Mark Bradford/Sikkema Jenkins,” Art in America, April 2006, p.161

“Whitney Biennial: Day for Night,” (Exhibition catalog) c. Whitney Museum of American Art,

New York, NY 2006 by Chrissie Illes and Philippe Vergne. ISBN:0-87427-152-5

Mendelsohn, Meredith “Mark Bradford / Sikkema Jenkins,” ArtNews, March 2006, p. 134

Mack, Joshua “Mark Bradford,” Modern Painters, February 2006, p. 111

Rosenberg, Karen “Ready to Watch,” New York Magazine, February 27, 2006

Stevens, Mark “Radical Meek,” New York Magazine, March 27, 2006, p. 80

“Witness Protection”, (Exhibition Catalog) c. Robert V. Fullerton Art Museum, California

State University, San Bernardino, CA 2006, ISBN: 0-945486-30-8


Pagel, David. “Turning Artwork into Border Issue,” Los Angeles Times, September 2

Washington, Michele Y. “Shaping the Language of Visual Culture,” The International Review

of African American Art, “’Post-Black, ’Post-Soul,’ or Hip-Hop Iconography: Defining the new Aesthetics,” Volume 20 #2

Kuramitsu, Kris and LeFelle-Collins, Lizetta. Linkages & Themes in the African Diaspora: Selections from the Eileen Harris Norton and Peter Norton Art Collections, (Exhibition Catalogue) c. Museum of the African Diaspora, San Francisco, CA 2005 ISBN: 1-59975-240-9


Chambers, Kristin. “Mark Bradford,” 2004 California Biennial (exhibition catalog), Orange

County Museum of Art, 2004, pp. 28-29.

Bounce: Mark Bradford and Glenn Kaino, REDCAT, Los Angeles, CA (exhibition catalog)

Essays by Eungie Joo, “Bounce” and Kara Walker, “Rememberence of things Pasted.” C.

2004 California Institute of the Arts ISBN: 0-9749831-0-1

Chang, Richard. “The Art of the New,” The Orange County Register, Sunday,

October 10, 2004.

Chattopadhyay, Collette, “Fading into View: African American Artists in Los Angeles,”

Artweek, Issue 2, Volume 35, March 2004, pp. 12-13

Dear, Michael and Gustavo Le Clerc. Post Border City: Cultural Spaces of Bajalta CA,

Routledge Inc., New York, 2003.

Haithman, Diane, “Crossing Generations,” LA Times, Monday January 19, 2004.

Knight, Christopher. “Biennial arrives, and so does a museum,” LA Times, Wednesday,

October 13, 2004.

-- “Mark Bradford,” The Wall Street Journal, March 12, 2004.

Nys Dambrot, Shana. “Dye Another Day,” ARTNews, November, 2004, p. 141.

-- Trajectories: The Photographic Work of Robbert Flick (exhibition catalog), Los Angeles

County Museum of Art/Steidl, 2004.


Kim, Christine. Black Belt (exhibition catalog), Studio Museum in Harlem, New York, NY,


Momin, Shamim. Mark Bradford: Very Powerful Lords (exhibition brochure), Whitney

Museum of American Art at Altria, 2003.

Scarborough, James. “Mark Bradford at Patricia Faure Gallery,” Artweek, February 2003.

Smith, Roberta. “Art in Review: Mark Bradford; Katie Grinnan,” The New York Times,

September 5, 2003.

Valdez, Sarah. “Mark Bradford at Lombard-Freid,” Art in America, September 2003, p.136.


Bischoff, Dan. "Selections: Contemporary Art by African Americans," Sunday Star Ledger,


Colpitt, Frances. “That Wasn’t My Car You Saw,” Art in America, November 2002.

Firstenberg, Lauri. Review: "I don't think you ready for this jelly," Flash Art,

January/February 2002.

Gaines, Malik. Tema Celeste, edition 92, July/August 2002.

Jones, Amelia. "The Post-Black Bomb," Tema Celeste, edition 92, July/August 2002.

“Free Trade: an interview with Mark Bradford,” in Project Series 16: Mark Bradford

(exhibition catalogue) Claremont, CA: Pomona College Museum of Art, 2002.

Klein, Mason. "I don't think you ready for this jelly," Artforum, January 2002.

-- Mixed Feelings (exhibition catalog), USC Fisher Gallery, Los Angeles, CA 2002.

Morsiani, Paola. Pertaining to Painting (exhibition catalog), Contemporary Arts Museum,

Houston, 2002, pp. 6-7.

-- Painting as Paradox (exhibition catalog), Artists Space, New York, NY, 2002.Schoonmaker, Trevor. “Hot Comb,” OneWorld Magazine, vol. 7, Issue 4, Aug/Sept 2002,

pp. 122-123.

Von Schlegell, Mark. "Snapshot," artext, Number 75, November 2001-January 2002.


--"A 'Snapshot' of LA Artists," Los Angeles Times, June 6, 2001.

--Capital Art: On the Culture of Punishment (exhibition catalog), Santa Monica, CA, Smart

Art Press, 2001.

Cotter, Holland. "I don't think you ready for this jelly," The New York Times, November 9, 2001.

Cotter, Holland, "A Full Studio Museum Show Starts with 28 Young Artists and a

Shoehorn," The New York Times, May 11, 2001.

Knight, Christopher. "Cultural Evolution in 'Freestyle'," Los Angeles Times, October 2,


Peterson, Thane. "Art Collectors Get Patriotic," Business Week, December 31, 2001.

Princethal, Nancy. Review: "Freestyle," artext, Number 74, 2001.

Schjeldahl, Peter. “Breaking Away: A Flowering of Young African-American Artists,” New

Yorker, June 10, 2001.

Selman, Teka. “Mark Bradford,” Freestyle (exhibition catalogue), Studio Museum in

Harlem, New York, NY, 2001.

Sirmans, Franklin. "I don't think you ready for this jelly," Time Out New York, November 15-

22, 2001.

--Snapshot: New Art from Los Angles (exhibition catalog), UCLA Hammer Museum, Los

Angeles CA 2001.

Subotnick, Ali. "Snapshot," Frieze, October, 2001.

Tumlir, Jan. "Snapshot," Artforum, October 2001.

Valdez, Sarah. "Freestyling," Art in America, September 2001.

Waxman, Lori. Review: "Freestyle," New Art Examiner, November/December 2001, 2001

Budick, Ariella. "Post Black and White," Newsday, June 1, 2000.

Harvey, Doug. "Gender, Race," LA Weekly, August 4, 2000.

Horton, David. "Color Theory," Art week, September 2000.

Saltz, Jerry. "Post-Black: Radical Intelligence at the Studio Museum in Harlem," Village

Voice, May 22, 2000.

Tate, Greg. "The Golden Age," Village Voice, May 22, 2000.


Adrian, George. "Curator's Pick," New Museum Website, October 9, 1999.

Ellegood, Anne. "A Place Called Lovely," NY Arts, October 1999.

Piccaio, Gina. "Pick your Poison," LA Times, November 1999.

Shearing, Graham. "Contemporary: Two local shows of radical art deserve to be explored,"

Pittsburgh Tribune-Review, Sunday, April 11, 1999.

Sherman, Ann Elliott. "Art: Color as Concept: African American artists treat 'black' as a

verb at WORKS," Silicon Valley Metro, October 23-29, 1999.Thomas, Mary. "L. A. Artist Bradford presses boundaries of Black Modernism," Pittsburgh

Post Gazette, Saturday, April 3, 1999.


Webster, Mary Hull. "'Wings of Desire' and Mark Bradford at the San Francisco Art

Institute," Art Week, April, 1998.


2008 Painting’s Edge, Advanced painting resident workshop at Idyllwild Arts, Idyllwild CA

ArtPace, San Antonio, TX

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